鋼琴進階教本第二系列 (紅色) 第4級

1.   BERTINI, Op.100 No.8 : Smooth playing of sequential figures
2.   HELLER, Op.45 No.1 : Evenness in broken chord passages
3.   BERTINI, Op.29 No.8 : Figures in sequence
4.   LE COUPPEY, Op.20 No.6 : Agility and lightness
5.   LE COUPPEY, Op.22 No.22 : Tone contrasts and clear phrasing
6.   DUNHILL, Op.74/Ⅲ No.6 : Neat phrasing and a light left hand
7.   CZERNY, Op.636 No.24 : Agility in the left hand
8.   CZERNY, Op.139 No.83 : Fluency in finger passages
9.   BERTINI, Op.29 No.5 : Part-playing and rhythm
10. GURLITT, Op.51 No.8 : Smooth playing of broken chords
11. STAMATY, Op.37 No.16 : Staccato in both hands, with free fore-arm
12. KIRCHNER : More vigorous staccato
13. MAYER, Op.340 No.23 : Smooth phrasing and part-playing
14. CZERNY, Op.134 No.81 : Parallel melodies with fore-arm freedom
15. BERTINI, Op.29 No.7 : Firmness and agility