1. LE COUPPEY, Op.17 No.18 : Crossing the hands
2. BERENS, Op.70 No.33 : Legato scales and staccato chords
3. CZERNY, Op.139 No.42 : The weaker fingers
4. LOESCHHORN, Op.65 No.46 : Scale passages in both hands
5. LE COUPPEY, Op.22 No.22 : Neatness and decision
6. BURGMULLER, Op.100 No.18 : Broken groups
7. DUNHILL, Op.74/Ⅰ No.1 : Smoothness and independence of the hands
8. BURGMULLER, Op.100 No.6 : Scales in tenths and cross accents
9. GURLITT, Op.50 No.17 : Rests and suspended double-notes
10. BERTINI, Op.100 No.6 : Light repeated notes in the right hand
11. BURGMULLER, Op.100 No.15 : Melody against expressive chords
12. HELLER, Op.47 No.19 : Cantabile with quiet melodic accompaniment
13. KIRCHNER, Op.71 No.11 : Neatness and precision
14. LE COUPPEY, Op.20 No.4 : Parallel melody playing
15. LOESCHHORN, Op.65 No.25 : Phrasing a melody above an accompaniment
16. STAMATY, Op.37 No.4 : Part-playing
17. BERTINI, Op.100 No.16 : Phrasing and expression
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