1. CZERNY, Op.777 No.7 : Finger control and sustained chords
2. BERTINI, Op.137 No.1 : Staccato and legato
3. GURLITT, Op.186 Nos.1/2 : To strengthen the weaker fingers
4. GURLITT, Op.83 No.1 : Using alternate fingers of either hand
5. BERTINI, Op.137 No.2 : A preliminary study in shakes
6. MULLER : For continuity and rhythm
7. LE COUPPEY, Op.17 No.5 : Syncopation
8. LOESCHHORN, Op.65 No.2 : Playing two melodies together
9. LE COUPPEY, Op.17 No.1 : Scale passages in both hands
10. KOHLER, Op.249 No.84 : Left-hand passages with sustained chords above
11. KOHLER, Op.190 No.33 : Broken chords divided between the hand
12. GURLITT, Op.50 No.5 : Passing evenly between the hands
13. CZERNY, Op.599 No.19 : Scale passages and broken chords
14. LEMOINE, Op.37 No.10 : The minor key with difficult five-finger work
15. F.WOHLFAHRT, from Op.36 : Slurs and skips
16. LE COUPPEY, Op.17 No.2 : Phrasing and expression, with a quiet accompaniment
17. BERTINI, Op.137 No.16 : Dotted-note figures and leaps
18. DUNHILL, Op.74/Ⅰ No.2 : Repeated notes
19. LE COUPPEY, Op.10 No.9 : Slurs in each hand
20. BEYER, Op.101 No.105 : Chromatic passages, contracting the hand
21. F.WOHLFAHRT, from Op.36 : Syncopation
22. CZERNY, Op.261 No.52 : Broken chords divided between the hands
23. DUNHILL, Op.74/Ⅰ No.2 : Wrist staccato
24. F.WOHLFAHRT, from Op.36 : Light and graceful playing
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