1. DUVERNOY, Op.176 No.1 : Tone gradation in scale passages
2. BRUNNER : Legato and staccato
3. CZERNY, Op.599 No.50 : For smooth playing
4. LE COUPPEY, Op.24 No.2 : Melody and phrasing
5. BERTINI, Op.137 No.8 : Rhythm
6. BURGMULLER, Op.100 No.1 : Smoothness and expression
7. LE COUPPEY, Op.21 No.2 : Smooth accompaniment of a melody
8. STAMATY, Op.31/Ⅰ No.3 : Melody playing
9. BERTINI, Op.137 No.12 : Contrasts in touch
10. CZERNY, Op.599 No.36 : Accompanying a melody
11. DUVERNOY, Op.176 No.5 : Evenness in touch
12. LE COUPPEY, Op.17 No.17 : Imagination and tone colour
13. BERTINI, Op.137 No.9 : Phrasing
14. MULLER : Slurs
15. BURGMULLER, Op.100 No.5 : Lightness and brilliance
16. CZERNY, Op.599 No.15 : Smoothness in broken chords
17. BRUNNER : Exercise in the minor scale
18. CZERNY, Op.139 No.3 : Evenness in five finger passages
19. LE COUPPEY, Op.17 No.6 : Light five finger passages in both hands
20. BURGMULLER, Op.100 No.2 : Rhythm and tone contrasts
21. LOESCHHORN, Op.65 No.4 : Phrasing and smoothness
22. LE COUPPEY, Op.17 No.3 : Balance of tone in a chord accompaniment
23. LE COUPPEY, Op.17 No.8 : For smooth playing
24. KULLAK : Even touch in varied tone
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