鋼琴進階教本第二系列 (紅色) 最初級

1.   CZERNY, Op.599 No.1 : For legato and steadiness
2.   KOHLER : Firmness in both hands
3.   CZERNY, Op.823 No.4 : Independence of the left hand
4.   CZERNY, Op.823 No.6 : Triple time
5.   MULLER : Evenness in either hand
6.   BRESLAUR, Op.46 No.1 : Phrasing in alternate hands
7.   BRUNNER, Op.118 No.43 : Phrasing sequential passages
8.   BRUNNER, Op.118 No.43 : Phrasing sequential passages
9.   KOHLER, Op.218 No.27 : Even tone in unison passages
10. KOHLER, Op.218 No.25 : Broken thirds in contrary motion
11. KOHLER, Op.300 No.41 : Evenness in alternate hands
12. CZERNY, Op.261 No.77A : The weaker fingers of the right hand
13. CZERNY, Op.261 No.77B : The weaker fingers of the left hand
14. BRUNNER, Op.118 No.64 : Scale passages
15. BERTINI, Op.137 No.1 : Introducing contrary motion
16. BEYER, Op.101 No.65 : Scale passages, with contrary motion
17. CZERNY : Legato and staccato combined
18. BRUNNER, Op.118 No.49 : Triple time, using some double notes
19. ENGEL : Broken chords in alternate hands
20. ENGEL : Staccato, rests and slurs
21. MULLER : Tied notes in the left hand
22. DIABELLI, Op.125 No.1 : Legate and phrasing
23. CZERNY : Chord playing
24. KOHLER, Op.218 No.40 : Three-part chords
25. BRESLAUR, Op.36 No.4 : Independence of the hands
26. MULLER : Scale passages and broken chords
27. MULLER : Scale passages and broken chords
28. KOHLER, Op.300 No.51 : Independence of the hands
29. ENGEL : Staccato and legato
30. GURLITT, Op.82 No.36 : Rhythm and rests
31. GURLITT, Op.82 No.55 : Repeated notes and chords
32. MULLER : To equalise the fingers
33. DIABELLI, Op.125 No.3 : Changing fingers on the same note
34. Light touch and graceful phrasing
35. MULLER : Crisp staccato in both hands
36. KOHLER, Op.190 No.27 : Melody playing and quiet broken chords
37. MULLER : Phrasing and tone contrasts
38. BRESLAUR, Op.41 No.57 : Phrasing independent melodies
39. BRESLAUR, Op.36 No.3 : Dotted notes and imitations
40. BRESLAUR, Op.46 No.22 : Dotted notes finures
41. BRESLAUR, Op.36 No.17 : Rhythm and attack
42. ENCKHAUSEN, from Op.58 : Melody playing
43. BRESLAUR, Op.118 No.51 : Two melodies together
44. DIABELLI, Op.125 No.7 : Graceful phrasing in triple time
45. MULLER : Syncopation of single and double notes
46. MULLER : Syncopation of single and double notes
47. GURLITT, Op.82 No.39 : Left hand melody playing
48. BEYER, Op.101 No.67 : Introducing compound time
49. BRUNNER, from Op.118 : Compound time with some double notes
50. GURLITT, Op.82 No.40 : Dotted notes and rests
51. BRESLAUR, Op.46 No.26 : Crisp staccato in single notes and chords
52. F.WOHLFAHRT, from Op.36 : Staccato and accidentals
53. BEYER, Op.101 No.67 : Sixths and tied notes
54. BRESLAUR, Op.46 No.9 : Passing evenly from hand to hand
55. F.WOHLFAHRT, from Op.36 : Light staccato in both hands
56. BRESLAUR, Op.46 No.7 : Phrasing and rhythm
57. BRESLAUR, Op.46 No.21 : Light staccato and an occasional triplet
58. BRESLAUR, Op.46 No.18 : Variety of time patterns in triple time
59. DIABELLI : Grace notes and firm left-hand chords
60. LEMOINE, Op.37 No.25 : Scale passages with skips